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Atmospheric Disturbances: A Novel, by Rivka Galchen
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A New York Times Notable Book of the Year
A Salon.com Top Ten Book of the Year
A Plain Dealer (Cleveland) Best Book of the Year
A Slate Best Book of the Year
When Dr. Leo Liebenstein's wife disappears, she leaves behind a single confounding clue: a woman who looks, talks, and behaves exactly like her. A simulatcrum. But Leo is not fooled, and he knows better than to trust his senses in matters of the heart. Certain that the real Rema is alive and in hiding, he embarks on a quixotic journey to reclaim her. With the help of his psychiatric patient Harvey--who believes himself to be a secret agent able to conrtol the weather--his investigation leads him from the streets of New York City to the southernmost reaches of Patagonia, in search of the woman he loves. Atmospheric Disturbances is a "witty, tender, and conceptually dazzling" (Booklist) novel about the mysterious nature of human relationships.
- Sales Rank: #313859 in Books
- Brand: Galchen, Rivka
- Published on: 2009-04-27
- Released on: 2009-04-28
- Original language: English
- Number of items: 1
- Dimensions: 8.27" h x .77" w x 5.53" l, .40 pounds
- Binding: Paperback
- 256 pages
Amazon.com Review
Amazon Best of the Month, June 2008: Imagine what it might be like to realize that the person you love is, in fact, not the person you love but a doppelgänger: or, what Leo Liebenstein coolly terms a "simulacrum" of his wife Rema at the outset of Atmospheric Disturbances. David Byrne's infamous cry that "this is not my beautiful wife" seems the most likely response, but Leo's reaction to this sea change takes unpredictable and dazzlingly plotted turns in the story that follows. Leo's journey to recover the "real" Rema is nothing short of byzantine; among its many mysteries is the delightfully inscrutable Dr. Tzvi Gal-Chen, a master meteorologist who in cleverly constructed flashback sequences takes up residence in the daily rhythms of Leo and Rema's marriage and becomes as much a focus of Leo's obsession as his wife's whereabouts. (Think Vertigo but directed by Charlie Kaufman.) Make no mistake: this is dizzying debut fiction, bursting at the spine with beautifully articulated ideas about love, yes, but also--and with maddening resonance--about the private wars love forces us to wage with ourselves. Be sure to keep a pen or pencil handy: it's impossible to resist underlining prose this good. --Anne Bartholomew
From Publishers Weekly
Starred Review. In this enthralling debut, psychiatrist Dr. Leo Liebenstein sets off to find his wife, Rema, who he believes has been replaced by a simulacrum. Also missing is one of Leo's patients, Harvey, who is convinced he receives coded messages (via Page Six in the New York Post) from the Royal Academy of Meteorology to control the weather. At Rema's urging, Leo pretends during his sessions with Harvey to be a Royal Academy agent (she thinks the fib could help break through to Harvey), and once Re- ma and Leo disappear, Leo turns to actual Royal Academy member Tzvi Gal-Chen's meteorological work to guide him in his search for his wife. Leo's quest takes him through Buenos Aires and Patagonia, and as he becomes increasingly delusional and erratic, Galchen adeptly reveals the actual situation to readers, including Rema's anguish and anger at her husband. Leo's devotion to the real Rema is heartbreaking and maddening; he cannot see that the woman he seeks has been with him all along. Don't be surprised if this gives you a Crying of Lot 49 nostalgia hit. (June)
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From Booklist
*Starred Review* We often use weather to describe ourselves: she has a sunny disposition; he is rather chilly. But for Galchen, meteorological metaphors are veritable wormholes into the unconscious. In her funny, sad, and ingenious first novel, New York psychiatrist Leo keeps his patient, Harvey, who believes that he is a special agent for the Royal Academy of Meteorologists, grounded by claiming that he, too, works for the meteorologists. For verisimilitude’s sake, Leo says his contact is Tzvi Gal-Chen, an actual member of the actual academy. Harvey improves, but Leo becomes increasingly bewildered. It seems that Rema, his enigmatic Argentine wife, has disappeared and a simulacrum has taken her place. Perhaps Gal-Chen’s work with Doppler weather radar can help, or is Leo thinking of the doppelgänger effect? As her unmoored analyst searches for Rema in Argentina, Galchen––a Borgesian writer armed with a medical degree and a Rona Jaffe Foundation Award and intent on a rapprochement between art and science––pays poetic tribute to her late father, the real-life meteorologist Tzvi Gal-Chen, and considers our myriad “errors of interpretation.” Witty, tender, and conceptually dazzling, Galchen’s metaphysical tale of longing, grief, love, and the volatility of the self gracefully charts the tempestuous weather of the human psyche. --Donna Seaman
Most helpful customer reviews
49 of 59 people found the following review helpful.
Ingenious but tedious
By Anna Karenina
As much as this book is ingenious, clever, unique, poetic, and philosophical, I regret to say that it's tedious. There is simply no momentum, after the first 25 pages. The relationships have no plausibility. There is not enough plot, not enough real life. The main character does not "read" believably as a middle aged man. His mental life does not hang together as a genuine possibility. Events don't seem real. While reading I keep feeling like I was counting grains of sand, or sifting through cookie crumbs, or maybe sinking in quick sand. Although the amusing, clever gems kept coming, the novel didn't create a palpable world I could enter into.
17 of 19 people found the following review helpful.
Neither atmospheric nor disturbing
By mojosmom
While browsing the "New Books" shelf at my library, I picked up this book, which begins: "Last December a woman entered my apartment who looked exactly like my wife." Intrigued, I stood and read the first couple of pages and thought, "I must read this". Sadly, I have to report that the book does not live up to its promise.
When the protagonist, New York psychiatrist Leo Liebenstein, arrives at this conclusion, he is also dealing with a patient, Harvey, who believes that he is receiving secret orders from the Royal Academy of Meteorology in controlling the world's weather. Leo's "false" wife, Rema, whom he refers to as "the simulacrum", suggests that he pretend to be an agent of the RAM as well, transmitting directions from a meteorologist named Tsvi Gal-Chen. The relationship between this therapeutic fraud and Leo's search for the real Rema are the crux of Galchen's book.
Now, am I right? Those plots, and their intertwining, ought to make for good reading. But Galchen's prose is so dense and convoluted that it was hard to get through the book, much less enjoy it. I don't mind that it's never clear whether Liebenstein is himself suffering from mental illness (some reviews firmly state that he is suffering from Capgras Syndrome, though Galchen is never definite) or whether Rema really has been replaced by a fake. Nor do I mind that it's unclear whether the RAM really is trying to stop a cabal of errant meteorologists. What I do mind is that Galchen never makes me care about the outcome or her characters, so at the end (which is very unsatisfying, by the way) I just felt as though my struggle to finish had been a waste of time.
The fact that Galchen uses her own surname, names a person called "Tsvi" in the acknowledgements, and, as one discovers with a bit of research, has used parts of her father's work and history in her book, could have given the novel extra depth, but in Galchen's hands seem merely self-indulgent.
Give it a miss.
44 of 57 people found the following review helpful.
Unbelievable, dull, sad and unengaging
By Christopher Enzi
I never believed that the narrator's voice belonged to a middle aged man. His behavior is inexplicable without raising my curiosity. Many pieces of the story go oon for several chapters then peter out. Many favorites' names are mentioned to sell this book- however: "Vertigo" is engaging and beautiful. Charlie Kauffman writes funny pieces bristling with empathy. Borges rarely wrote anything longer than ten pages because he wanted his stories to be perfect. Rivka Galchen's promoters are over reaching to imagine that any reader will find corollaries to these masterpieces in her prose. It's too melancholy, too long, wretchedly impersonal and eventually just dull. I gave up after 200 pages. It's a big disappointment.
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